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The jugglers being gone, a boy, to gain alms, opened a round basket he was carrying, and up rose a serpent, its hood raised in anger, and hissing with its tongue out.<024>
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  • THREE:At the door of the house the sick man's wife was washing a white robe, in which he would be dressed for the grave on the morrow. The nearest relation of the dying must always wash his garment, and the woman, knowing that her husband had the plague and was doomed, as she was required by ritual to prepare for the burial while her husband was yet living, wore a look of mute and tearless resignation that terrified me.In the English quarter of Bombay the houses are European: Government House, the post office, the municipal buildingsperfect palaces surrounded by gardens; and close by, straw sheds sheltering buffaloes, or tents squatted down on common land; and beyond the paved walks are beaten earth and huge heaps of filth, over which hover the birds of prey and the crows.
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TWO:Really the prison this time! in the midst of a large enclosure with high walls; a building on a star-shaped plan, with large windows to admit air and daylight. The prisoners, in a white uniform, with chains on their feet, were manufacturing various articles in basket-work, and in a shed with a cotton awning a hundred or so of convicts were weaving carpets. The brilliancy of colour was indescribable; the vividness of the medley of worsted piled by the side of the gorgeous looms, the light hues of the dresses, the faded turbans touched with light, the glitter of the steel chains, the bronze skins, glorified to gold in the quivering sunshine, which, scarcely subdued by the awning, bathed the[Pg 87] scene in a glow so intense that it seemed to proceed from the objects themselves. Behind each loom sat a warder, with the pattern of the carpet on his knees, dictating the colours to the weavers, chanting out his weariful litany of numbers and shades in a monotonous voice.
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TWO:The bargaining was interminable, something in this manner:
FORE:

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TWO:[Pg 244]
FORE:We could see the procession coming straight up a hollow ravine from the valley to the Dokma, a path that none but Parsees are allowed to tread;[Pg 31] eight bearers in white, the bier also covered with white, and, far behind, the relations and friends of the dead, all robed in white, two and two, each pair holding between them a square of white stuff in sign of union. They came very slowly up the steps of the steep ascent with a measured chant, in muffled tones, on long-drawn vowels. And from the surrounding trees, from far and near, with a great flutter of wings, the vultures flew to meet the corpse, darkening the sky for a moment.When at last the boy was allowed to return to his place in a corner he sat quite still, his eyes staring stupidly and shedding large tears, though not a muscle of his face moved.

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At Srinagar you live under the impression that the scene before you is a panorama, painted to cheat the eye. In the foreground is the river; beyond it spreads the plain, shut in by the giant mountains, just so far away as to harmonize as a whole, while over their summits, in the perpetually pure air, hues fleet like kisses of colour, the faintest shades reflected on the snow in tints going from lilac through every shade of blue and pale rose down to dead white.At a goldsmith's I stood to watch a native making a silver box. He had no pattern, no design drawn on the surface, but he chased it with incredible confidence, and all his tools were shapeless iron pegs that looked like nails: first a circle round the box, and then letters and flowers outlined with a firm touch that bit into the metal. He had no bench, no shopnothing. He sat at work on the threshold of his stall, would pause to chat or to look at something, and then, still talking, went on with his business, finishing it quite simply at once without any retouching.Outside the night is moonless, deep blue. Venus seems quite close to us, shining with intense brightness, and the jasmines scent the air, softly lighted by the lanterns which burn out one by one.Soldiers, bristling with daggers and pistols in their belts, are on guard at the gate. Pikes and long muskets stand piled in the background; over this arsenal, flowering jasmine and convolvulus with enormous bell flowers hang their graceful shade.Only one entrance to the temple remains, built of polished red stone mingled harmoniously with marble, toned by time to a warm golden hue almost rose-colour. All the profusion of Indian design is lavished on this gateway framing the marvel erected by Pal. Tangles of interlacing letters incised and in relief, mingling with trails of flowers as lissom as climbing plants, and supporting figures of gods; while a fine powdering of white dust over the dimmed warm yellow of marble and sandstone softens yet more the carved flowers and sinuous patterns, amid which the images sit in tranquil attitudes.
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